Where Things Were
90min, color, Canada/Thailand [in pre-production]

A palimpsest of three individuals’ memories of a shared past in Bangkok, Where Things Were explores how class relations shape intimacy and estrangement within a Canadian family’s domestic life abroad.

Supported by The Film Study Center at Harvard University



Tierra líquida (Liquid Earth)
30min, DCP with 5.1 surround sound, color, 2026, Canada/Peru [in post-production]

A public boat transports people, commodities and dreams between communities on
the edge of the Tamshiyacu-Tahuayo conservation area in the Peruvian Amazon.


Produced at the Film Study Center at Harvard University.
Lo que las olas no rompen (What the waves don’t break)
12min30, 16mm (mono) or DCP (5.1), color, 2026, Canada/Peru

Little souls mythologize a coastline where life cycles through death and back again.


Produced through the Film Study Center and Sensory Ethnography Lab at Harvard University.



La plage aux êtres (The Beach of Beings)
20min, DCP with 5.1 surround sound, B&W and color, 2022, France/Canada

As her team digitises the traces of an unidentified creature, a palaeontologist mourns a loved one.
A meditation on preservation, daughter of discovery and mother of loss.


Domestic premiere at the Vancouver International Film Festival 2023
Distribution: Le Fresnoy - Studio national
Alcoves
37min, DCP with 5.1 surround sound, color, 2021, France/UK/Canada

In Herzegovina, an ecologist, a gardener and a farmer respond to a French landscaping text that presents
the planet as a single, entangled garden. Their gestures and voices, the plow and the camera, sow a reflection
on how to perceive this landscape and position oneself within it.


World premiere at the Sarajevo Film Festival 2021
Distribution: Le Fresnoy - Studio national